Category: Reviews
In ‘The Last Showgirl,’ the Classic Heartbeat of Vegas Fights the Curtain Call
Creativity and time have a funny relationship. When you allow yourself to stand on the fertile...
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REVIEW: The Veer Union’s Welcome To Dystopia is a bold, relentless rock epic
The Veer Union’s latest release, Welcome to Dystopia, plunges listeners deep into an apocalyptic...
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‘The Girl With The Needle’s Post-World War Darkness Is Captivating
I don’t even know if calling Magnus von Horn’s ‘The Girl With The Needle’ grim is the proper...
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‘Werewolves’ Can’t Quite Find The Right Moon To Howl At
Vampires seem to get most of the shine in horror films lately, so let’s briefly go over Werewolf...
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Star Wars Doubles Down On Nostalgic Adventure In First Two ‘Skeleton Crew’ Episodes
Kids have it hard in the Star Wars universe. Take Anakin Skywalker, for example. He was born into...
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‘Gladiator II’ Has Trouble Developing Anything Beyond Its Maximus Past
There are a myriad of ways you can approach a sequel, but most fall in the line of an extension of...
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‘Wicked’s Acting Magic Does Enough To Defy Gravity (and Justify Part Two)
Did you hear the story about a great and powerful wizard who lives in Emerald City that might...
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Freemoor’s “Affliction”: An Ode To Struggles Unseen
In a time when music often rushes to entertain but rarely pauses to reflect, Freemoor’s...
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Misterwives’ Just For One Nightmare Hometown Show Brings Halloween To Brooklyn
October 31st, All Hallows Eve, Halloween — there are many names for what many people agree...
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Album Review :: State Champs “STATE CHAMPS”
State Champs // State Champs Pure Noise Records :: Nov. 8 2024 review by Eric Riley Two and a half...
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REVIEW: Worldwide Panic Go Big with “Break Me Down”
“Break Me Down,” the latest single by Worldwide Panic, stands as an electrifying...
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‘A Real Pain’ Review: Jesse Eisenberg’s Exquisitely Constructed Empathy Session
What’s most impressive about Jesse Eisenberg’s ‘A Real Pain’ is that it weaves through so many...
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