We here at Substream love to give you our fresh takes on the best new theatrical and VOD releases, but what if you love something enough to want to own a physical copy? This is our rundown of this week’s best new releases on DVD and Blu-ray, so that you know what films to add to your home video library.

Resident Evil: The Final Chapter

Picking up immediately after the events in Resident Evil: Retribution, Alice (Milla Jovovich) is the only survivor of what was meant to be humanity’s final stand against the undead. Now, she must return to where the nightmare began – The Hive in Raccoon City, where the Umbrella Corporation is gathering its forces for a final strike against the only remaining survivors of the apocalypse.

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Read our review HERE!


xXx: Return of Xander Cage

Xander Cage (Vin Diesel) is left for dead after an incident, though he secretly returns to action for a new, tough assignment with his handler Augustus Gibbons.

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Lovesong

Neglected by her husband, Sarah (Riley Keough) embarks on an impromptu road trip with her young daughter and her best friend, Mindy (Jena Malone). Along the way, the dynamic between the two friends intensifies before circumstances force them apart. Years later, Sarah attempts to rebuild their intimate connection in the days before Mindy’s wedding.

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Keep Quiet

As vice-president of Hungary’s far-right extremist party, Csanad Szegedi espoused anti-Semitic rhetoric and Holocaust denials, and founded the Hungarian Guard, a now-banned militia inspired by a pro-Nazi group complicit in the murder of thousands of Jews during WWII. But his life was soon upended when Szegedi’s maternal grandparents were revealed to be Jewish and his beloved grandmother an Auschwitz survivor who had hidden her faith, fearing further persecution. Keep Quiet depicts Szegedi’s three-year journey to embrace his newfound religion. But is his transformation genuine? Or does he simply have nowhere else to turn?

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Good Morning

NEW TO THE CRITERION COLLECTION: A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning Technicolor and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

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