We here at Substream love to give you our fresh takes on the best new theatrical and VOD releases, but what if you love something enough to want to own a physical copy? This is our rundown of this week’s best new releases on DVD and Blu-ray, so that you know what films to add to your home video library.
Moana, a spirited teenager and born navigator, sets sail from the ancient South Pacific islands of Oceania in search of a fabled island. During her incredible journey, she teams up with her hero, the legendary demi-god Maui, to traverse the open ocean on an action-packed voyage, encountering enormous sea creatures, breathtaking underworlds and ancient folklore.
Jackie is a searing and intimate portrait of one of the most important and tragic moments in American history, seen through the eyes of the iconic First Lady, then Jacqueline Bouvier Kennedy (Natalie Portman). Jackie places us in her world during the days immediately following her husband’s assassination. Known for her extraordinary dignity and poise, here we see a psychological portrait of the First Lady as she struggles to maintain her husband’s legacy and the world of “Camelot” that they created and loved so well.
In the South Pacific, Wawa, a young girl from one of the last traditional tribes, falls in love with her chief’s grandson, Dain. When an intertribal war escalates, Wawa is unknowingly betrothed as part of a peace deal. The young lovers run away, but are pursued by enemy warriors intent on killing them. They must choose between their hearts and the future of the tribe, while the villagers must wrestle with preserving their traditional culture and adapting it to the increasing outside demands for individual freedom.
Cold War 2
In this sequel to the 2012 Hong Kong megahit, rival police chiefs battle it out both on the streets and at the station, kicked off by a psychotic killer’s desperate escape attempt.
The Eyes Of My Mother
In their secluded farmhouse, a mother, formerly a surgeon in Portugal, teaches her daughter, Francisca, to understand anatomy and be unfazed by death. One afternoon, a mysterious visitor horrifyingly shatters the idyll of Francisca’s family life, deeply traumatizing the young girl, but also awakening some unique curiosities. Though she clings to her increasingly reticent father, Francisca’s loneliness and scarred nature converge years later when her longing to connect with the world around her takes on a distinctly dark form.
I Am Michael
A gay activist and magazine founder is “saved” from his homosexuality after turning to God.
Trespass Against Us
Three generations of the Cutler family live as outlaws in their own anarchic corner of Britain’s richest countryside. Chad Cutler (Michael Fassbender) is heir apparent to his bruising criminal father, Colby (Brendan Gleeson) and has been groomed to spend his life hunting, thieving and tormenting the police. But with his own son, Tyson (Georgie Smith) coming of age, Chad soon finds himself locked in a battle with his father for the future of his young family. When Colby learns of Chad’s dreams for another life he sets out to tie his son and grandson into the archaic order that has bound the Cutler family for generations. He engineers a spectacular piece of criminal business involving a heist, a high-speed car chase and a manhunt, which leaves Chad bruised and bloodied and with his very freedom at stake.
NEW TO THE CRITERION COLLECTION: In this exquisitely calibrated film, Charlotte Rampling and Tom Courtenay perform a subtly off-kilter pas de deux as Kate and Geoff, an English couple who, on the eve of an anniversary celebration, find their long marriage shaken by the arrival of a letter to Geoff that unceremoniously collapses his past into their shared present. Director Andrew Haigh carries the tradition of British realist cinema to artful new heights in 45 Years, weaving the momentous into the mundane as the pair go about their daily lives, while the evocatively flat, wintry Norfolk landscape frames their struggle to maintain an increasingly untenable status quo. Loosely adapting a short story by David Constantine, Haigh shifts the focus from the slightly erratic Geoff to Kate, eliciting a remarkable, nuanced portrayal by Rampling of a woman’s gradual metamorphosis from unflappable wife to woman undone.