We here at Substream love to give you our fresh takes on the best new theatrical and VOD releases, but what if you love something enough to want to own a physical copy? This is our rundown of this week’s best new releases on DVD and Blu-ray, so that you know what films to add to your home video library.
Beatriz at Dinner
Beatriz (Salma Hayek), an immigrant from a poor town in Mexico, has drawn on her innate kindness to build a career as a health practitioner in Los Angeles. Doug Strutt (John Lithgow) is a cutthroat, self-satisfied billionaire. When these two opposites meet at a dinner party, their worlds collide and neither will ever be the same.
Captain Underpants: The First Epic Movie
Two overly imaginative pranksters named George and Harold hypnotize their principal into thinking he’s a ridiculously enthusiastic, incredibly dimwitted superhero named Captain Underpants.
It Comes At Night
A man (Joel Edgerton) learns that the evil stalking his family home may be only a prelude to horrors that come from within. Secure within a desolate home as an unnatural threat terrorizes the world, the tenuous domestic order he has established with his wife and son is put to the ultimate test with the arrival of a desperate young family seeking refuge. Despite the best intentions of both families, paranoia and mistrust boil over as the horrors outside creep ever-closer, awakening something hidden and monstrous within him as he learns that the protection of his family comes at the cost of his soul
Citizen Jane: Battle for the City
Festival
NEW TO THE CRITERION COLLECTION: Before Woodstock and Monterey Pop, there was Festival. From 1963 to 1966, Murray Lerner visited the annual Newport Folk Festival to document a thriving, idealistic musical movement as it reached its peak as a popular phenomenon. Joan Baez, Bob Dylan, Howlin’ Wolf, Johnny Cash, the Staples Singers, Pete Seeger, Son House, and Peter, Paul and Mary were just a few of the legends who shared the stage at Newport, treating audiences to a range of folk music that encompassed the genre’s roots in blues, country, and gospel as well as its newer flirtations with rock ’n’ roll. Shooting in gorgeous black and white, Lerner juxtaposes performances with snapshot interviews with artists and their fans, weaving footage from four years of the festival into an intimate record of a pivotal time in music—and in American culture at large.