Ryan Coogler’s fifth film, “Sinners,” has much to say within a world that seeks to muffle or erase the inspiration behind its hardest lessons. The film contains elements of a horror subgenre that is resigned chiefly to sticking to its conventional folklore as its guiding light. What could vampirism, the Jim Crow South of the … Continue reading ‘Sinners’ Is Ryan Coogler’s Sprawling, Intelligent, and Dynamically Complicated Symphony