We here at Substream love to give you our fresh takes on the best new theatrical and VOD releases, but what if you love something enough to want to own a physical copy? This is our rundown of this week’s best new releases on DVD and Blu-ray, so that you know what films to add to your home video library.
Things To Come
What happens when the life you’ve worked so hard to build falls apart all at once? Nathalie (Isabelle Huppert) is a philosophy teacher with a seemingly settled existence, juggling a rich life of the mind with the day-to-day demands of career and family—including frequent visits to her drama queen mother (Édith Scob). But beginning with the bombshell revelation that her husband of twenty-five years is leaving her, one by one the pillars of Nathalie’s life start to crumble. For the first time in ages, she finds herself adrift, but also with a newfound sense of liberation. With nothing to hold her back, Nathalie sets out to define this new phase of her life and to rediscover herself.
The Void
In the middle of a routine patrol, officer Daniel Carter happens upon a blood-soaked figure limping down a deserted stretch of road. He rushes the young man to a nearby rural hospital staffed by a skeleton crew, only to discover that patients and personnel are transforming into something inhuman. As the horror intensifies, Carter leads the other survivors on a hellish voyage into the subterranean depths of the hospital in a desperate bid to end the nightmare before it’s too late.
Holy Hell
In 1985, recent film school graduate Will Allen became a member of The Buddhafield, a Los Angeles area spiritual group. Also acting as the group’s official videographer, he began to document their activities, which centered on the mysterious leader they called Michel, or The Teacher. Over time, the group’s dark side began to surface as total devotion turned to paranoia, until finally, unexpected truths about their enlightened leader were revealed – all in front of Allen’s camera.
Here Alone
Jeanne Dielmann, 23, Quai du Commerce, 1080 Bruxelles
NEW TO THE CRITERION COLLECTION: A singular work in film history, Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles meticulously details, with a sense of impending doom, the daily routine of a middle-aged widow, whose chores include making the beds, cooking dinner for her son, and turning the occasional trick. In its enormous spareness, Akerman’s film seems simple, but it encompasses an entire world. Whether seen as an exacting character study or as one of cinema’s most hypnotic and complete depictions of space and time, Jeanne Dielman is an astonishing, compelling movie experiment, one that has been analyzed and argued over for decades.
